ABOUT ALICIA FRANKOVICH

Born in Aotearoa/New Zealand and currently based in Naarm/Melbourne, Alicia Frankovich is an artist working across sculpture, performance, video, photography and the format of the exhibition itself. Her work engages living human and non-human entities to reveal the limits of how we understand notions of nature.

Alicia Frankovich holds a PhD from Monash University (2022). She has been the recipient of the Australian Government Research Training Program Scholarship and the Australian Postgraduate Award Scholarship at Monash University. She has presented numerous solo exhibitions and performance commissions, including The Eye, Brunswick Baths, Open House Melbourne, and Atlas of Anti-Taxonomies, Christchurch Art Gallery Te Puna o Waiwhetū (2022); AQI2020, Auckland Art Gallery Toi o Tamaki (2020); The Work, Kaldor Projects, AGNSW, Sydney (2019); After Blue Marble, KUB Billboards, Kunsthaus Bregenz, Austria (2018); and Exoplanets, MUMA, Melbourne, Atlas of the Living World, Stedelijk Museum Amsterdam, and OUTSIDE BEFORE BEYOND, Kunstverein für die Reinlande und Westfalen, Düsseldorf (2017). Her notable group shows include Endless Circulation and the TarraWarra Biennial (2016); Complex Bodies (with Klara Lidén), Gebert Stiftung für Kultur, Rapperswil (2015); Framed Movements, ACCA, Melbourne and The 12th Swiss Sculpture Exhibition: Le Mouvement: Performing the City, Biel/Bienne (2014); Nouvelles Vagues: The Real Thing? Palais de Tokyo, Paris (2013); Dublin Contemporary (2011); Auckland Triennial (2010); and the Busan Biennial (2006).