The Lock-Up

HeArt Open - Hunter Innovation Festival Panel, featuring Kirsten Drysdale with curator of The Lock-Up’s INSIDE ELANDS Una Rey, AfriB Creations Fashion Designer Bronwyn Hassan, Hunter Young Professional Daniel Drayton and Environmental Activist and Poet George Woods, May 2021.

The Lock-Up is an 1800s police station, reimagined as a contemporary art space.

Committed to presenting multidisciplinary practices of local, national and international artists, The Lock-Up is a space that is dedicated to stimulating and challenging audiences. With an emphasis on producing artist-led projects that explore contemporary social issues, The Lock-Up believes firmly in artists taking risks. Our historical space is a platform for artists to create new works, experiment, create dialogue, share, learn and reflect.

STAFF

DR. WARWICK HEYWOOD
DIRECTOR

Warwick Heywood is an experienced arts professional, curator, and researcher. In 2022, he obtained his PhD, exploring the connection between the Anthropocene and pictorial landscape traditions. Following the completion of his PhD, Warwick assumed the position of the inaugural Collections Curator at Maitland Libraries. Additionally, over the last five years, he has worked as a tutor, lecturer, and course convenor for art history and architectural theory courses at the University of Newcastle.

From 2006 to 2017, Warwick was Curator of Contemporary and Modern Art at the Australian War Memorial, where he played a pivotal role in shaping the organisation’s strategic direction. He developed innovative programs, curated exhibitions accompanied by related publications, and forged valuable collaborations while securing funding opportunities. Warwick launched his career at renowned Sydney arts organisations, including Artspace, Roslyn Oxley Gallery, and Artbank. He holds a Bachelor of Art History and Theory from the University of NSW.

SIA COX
CHILDRENS ART EDUCATOR

Sia Cox is an artist and arts educator. In her practice, Sia uses expended materials that hold their own stories; objects like worn clothes and cardboard boxes. From these remnants she builds sculptures which reflect on connections: to ancestors, to each other, to nature and to our own human nature. Included in her catalogue are large-scale sculptures, wearables and puppets for live performances and short films. Sia’s practice has been featured in The Australian, Arts Hub and Hester Art Magazine. She holds a BFA in Sculpture from National Art School.

Sia spent a decade living in the Central Desert, working in community arts projects, Aboriginal Art Centres, and teaching at TAFE. She now lives on Awabakal country, where she teaches art to young people.

WEDNESDAY SUTHERLAND
PROGRAM CURATOR

Wednesday Sutherland is an early-career artist, curator and creative producer. Wednesday has over ten years of experience in professional and freelance roles including photography, branding and marketing consultation, design, eCommerce and copywriting. She brings this experience from a range of industries such as visual arts, live music, festivals, events & film, with extensive skills in small business management, business development, and branding strategy. Wednesday’s artistic practice centres on expanded photomedia. She is an active member of WH!P Collective, a group of women-identifying photographers based in the Newcastle and wider Hunter region. Curatorially, she is currently focussed on the applications of new and assisted imaging technologies, and the implications of these as tools to be used by artists. Wednesday holds a Bachelor of Creative Industries (Visual Arts) with Distinction from University of Newcastle.

LOTTIE CONSALVO
PATRONS PROGRAM AMBASSADOR

Lottie Consalvo is a Newcastle-based artist, originally from Melbourne. Lottie has voluntarily assisted in the formation of the The Lock-Up’s Patrons Program and is an Ambassador for the program. As an artist, she is represented by Dominik Mersch Gallery, Sydney and Jan Murphy Gallery, Brisbane. Her work has been exhibited internationally, most recently in Germany, Mexico and New Zealand. Lottie is held in collections including Artbank, Newcastle Art Gallery, Maitland Regional Art Gallery, Gippsland Regional Art Gallery, Macquarie University, University of Newcastle, Museum of Art and Culture Lake Macquarie, Allens Law Firm and The Stevenson Collection (NZ) and Onna House (New York).

BOARD OF MANAGEMENT

Newcastle Historic Reserve Land Manager, on behalf of NSW State Government Department of Crown Lands, is responsible for the conservation, management and cultural use of three heritage listed government buildings including the former Newcastle Police Station and Lock-Up (1861).

For more information contact:

The Business Manager
nhrlmbusiness@gmail.com

GILLEAN SHAW – CHAIR

Current Art Curator for University of Newcastle, its Galleries, Museum and Collection and has curated independent projects for arts and history organisations such as The Lock-Up, Maritime Museum and the Lovett Gallery. Gillean has previously worked in public programs, visitor services and exhibition installation at the Newcastle Art Gallery and was the Curator at The Lovett Gallery. She holds Masters by research in the Presentation of Material Culture, particularly as it relates to historic buildings and collections.

STEPHEN MCLEAN – CO-CHAIR

Currently self-employed as a Project and Asset Manager, Stephen’s senior management leadership experience has been developed by having excelled in public and private sector organisations. His skills and expertise included multi-site, multi-services operations management, business planning, strategy and execution, customer and stakeholder relationship management, human resource management, workplace change and risk management, tender writing, response and assessment, and internal and external compliance and quality auditing. Stephen’s skills are complemented by the recent completion of the Diploma of Governance from the Institute of Community Directors Australia.

ANNETTE MORRISSEY – TREASURER

Annette is a Chartered Accountant with approximately 25yrs experience in a senior financial management and advisory capacity for the commercial, NFP and government sectors. Management Accountant Asset Delivery for the Australian Rail Track Corporation, Annette’s expertise includes project management; governance; budgeting; strategic planning; risk management; taxation; leadership development; change management; IT systems exploitation; financial management, advice and reporting; and financial sustainability.

JOHN CARR

An architect with over forty years experience with NSW Public Works, John was the Project Architect for the Newcastle Conservatorium of Music Performance Hall for the Australian Bi-Centennial in 1988. John has been a Trustee for over twenty years and specialises as a heritage consultant.

CATHERINE CROLL

Kate is the founding director of Cultural Partnerships Australia Programming Sub- Committee and has held the position of Director Special Projects at Red Gate Gallery, Beijing since 2009. She is an arts patron, collector and practitioner with extensive experience in the management of multi faceted cultural exchange projects and international touring exhibitions.

ROSEMARIE MILSOM

Rosemarie Milsom is the founding director of the Newcastle Writers Festival, one of Australia’s largest regional literary festivals, founded in 2013. She has been an award-winning journalist, mainly with Fairfax Media in Sydney and Newcastle. More recently she has worked as a broadcaster with ABC Emergency. In 2019, she was selected to participate in the Australia Council for the Arts’ Leadership Program. Rosemarie is chair of Hunter Creative Alliance and is a member of Create NSW’s Literature Advisory Board. Rosemarie is also a respected facilitator and has hosted events with leading public figures such as Julia Gillard, Nigella Lawson, Peter Garrett, and Richard Flanagan.

KRISTEN TOLA

Kristen Tola is a Heritage Consultant in the cultural heritage sector. She is a graduate of the Master of Cultural Heritage and Museum Studies from Deakin University specialising in heritage practice, with interest in the integration of heritage conservation into planning and urban development strategies. Kristen draws on experience working at Newcastle Museum and the City of Newcastle, where she combined her cultural heritage and museum studies qualifications in museum management, support of the Fort Scratchley Historic Site volunteer group, grant management, heritage interpretation, local government processes, stakeholder relationships, the Museum Shop and customer experience.

VOLUNTEERS